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First edition 1956 Written by Characters Mary Cavan Tyrone James Tyrone Edmund Tyrone James Tyrone, Jr. Cathleen Date premiered 2 February 1956 Place premiered, Sweden Original language English Subject An autobiographical account of his explosive home life with a drug-addicted mother. Genre Drama Setting The summer home of the Tyrones, August 1912 Long Day's Journey into Night is a drama in four acts written by American playwright in 1941–42, first published in 1956. The play is widely considered to be his and one of the finest American plays of the 20th century.

It premiered in Sweden in February 1956 and then opened on in November 1956, winning the for Best Play. O'Neill posthumously received the 1957 for Long Day's Journey into Night. The work concerns the Tyrone family, consisting of parents James and Mary and their sons Edmund and Jamie. Mary is addicted to morphine and Edmund is ill with tuberculosis. The 'Long Day' refers to the setting of the play, which takes place during one day. The play is semi-autobiographical.

Monte Cristo Cottage, boyhood home of O'Neill and the setting for two of his works, Long Day's Journey into Night, and In key aspects, the play closely parallels Eugene O'Neill's own life. The location, a summer home in Connecticut, corresponds to the family home,, in (the small town of the play). The actual cottage, today owned and operated by the, is made up as it may appear in the play.

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The family in the script corresponds to the O'Neill family, which was Irish-American, with three name changes: The family name 'O'Neill' is changed to 'Tyrone,' which is the name of the earldom granted to by Henry VIII. The names of the second and third sons are reversed, 'Eugene' with 'Edmund'. In fact, Eugene, the playwright, was the third and the youngest child, and he corresponds to the character of 'Edmund' in the play. O'Neill's mother,, corresponds to the character Mary Cavan. The ages are all the actual ages of the O'Neill family in August 1912.

Eugene O'Neill's father,, was a promising young actor in his youth, as was the father in the play. He also shared the stage with, who is mentioned in the play. James O'Neill achieved commercial success in the title role of ', playing the title role about 6,000 times; he was criticized for 'selling out' for commercial success at the expense of artistic merit.

Eugene's mother Mary did attend a Catholic school in the Midwest,, of. Subsequent to the date when the play is set (1912), but prior to the play's writing (1941–42), Eugene's older brother Jamie did drink himself to death (c. Regarding O'Neill himself, by 1912 he had attended a renowned university (Princeton), spent several years at sea, and suffered from depression and alcoholism, and did contribute to the local newspaper, the New London Telegraph, writing poetry as well as reporting. He did go to a sanatorium in 1912–13 due to suffering from (consumption), whereupon he devoted himself to playwriting. The events in the play are thus set immediately prior to O'Neill beginning his career in earnest.

Productions [ ] Premiere productions [ ]. • ^; (2000). New York: Applause Books. Retrieved 13 October 2016.

New York: Random House. • Eaton, Walter Prichard (1910). The American Stage of Today. New York, New York: P.F. Collier & Son.

Retrieved 2008-06-17. Retrieved 19 December 2016.

Style Weekly, September 15, 1999. Further reading [ ] • O'Neill, Eugene Gladstone (1991).

Long Day's Journey Into Night (Recent ed.). • O'Neill, Eugene Gladstone (1956). Long Day's Journey Into Night (First ed.). 112 part iii. External links [ ] Wikimedia Commons has media related to. • at the • at the • on.

Quotes: [ Edmund has just recited a piece of poetry] You recite it well. Who wrote it?: Baudelaire.: [ Dismissively] Never heard of him. Where you get your taste in authors.: [ Motioning to Edmund's bookshelves] This damned library of yours: Voltaire and Rousseau and Schopenhauer. Atheists, fools and madmen! And your poet, this. And Swinburne, and Oscar Wilde.

Whitman and Poe. Whoremongers and degenerates! When I've got three good sets of Shakespeare there you can read.: They. I just caught an interview with Sam Shephard on Fresh Air where he mentions that this movie was one of the reasons he got interested in the theater. He talked about the great performances of Jason Robards, Ralph Richardson, Dean Stockwell, and Katherine Hepburn. My memory of the movie goes back to the late 60's in Berkeley when I had just seen a performance of the play by the Berkeley Rep and then watched the film shortly thereafter in an on campus showing.